Please welcome to the blog our new associate editor for Asia, Lingshan Song – editor.
Lingshan Song, Assistant Director, Writing Center
Lingshan is the assistant director of the Writing Center at Mississippi College (MC). She also teaches freshmen composition courses and the tutor training course at MC. Her research interests include writing center theory and practice, ESL tutoring, and cultural studies. Currently she has been a strong advocate for advancing writing center movement in China and connecting writing center professionals from China and US. Lingshan also serves as Outreach Coordinator on the Southeastern Writing Center Association (SWCA) board, TESOL Representative for the Association of Christians in Writing Centers (ACWC), and Oversea Representative for the Writing Center Association of China (WCAC).
As a native Chinese, Lingshan is trilingual (Mandarin, English, and Fuzhou Dialect). She enjoys reading, writing, teaching, travelling, making friends from different countries, and exploring diverse cultures. She feels honored to join the WLN editor team this year and very much looking forward to contributing to the community that seeks to connect writing centers across borders.
Lingshan Song is the Assistant Director of the Writing Center at Mississippi College (MC). She also teaches freshmen composition courses and the tutor training course at MC. Her research interests include writing center theory and practice, ESL tutoring, cultural studies, and international collaboration. Her ongoing research projects involve advocating for writing centers in China and supporting writing center establishment there. Lingshan also serves as Outreach Coordinator on the Southeastern Writing Center Association (SWCA) board, TESOL Representative for the Association of Christians in Writing Centers (ACWC), Secretary of Mississippi Writing Centers Association, and Member for the International Symposium of English Writing Center in Chinese Universities planning committee.
While writing centers have a long history in American academia and are well established in the U.S., in the past decade, writing centers have just started revealing their values to higher education institutions in China. In the past twelve years, from 2006-2017, a batch of Chinese higher institutions have started writing centers to provide tutoring for English writing. Another important step in writing center development was the inaugural conference of Writing Center Association of China, held from June 9-11, 2017 in the Sino-British university, Xi’an Jiaotong Liverpool University, located in Suzhou, China.
With the exciting progress of building writing centers in China, there is yet to be a study about existing writing centers in China and their contributing elements commonly observed. In other words, how did these writing centers get started? What elements are essential to their establishment? I conducted preliminary research from September to November 2017, aiming to investigate existing writing centers in mainland China and discover commonalities among them and explore possible models for future writing center establishments in China, considering local adaptations.
Despite local adaptations, I found that as international partnerships prosper between U.S. universities and Chinese universities in the past decade, it has created a historical timing for writing center establishment in China. The “globalization” concept, bringing China’s education more in line with international practice, urges Chinese higher institutions to form international partnerships with oversea universities in two forms: 1) by developing exchange student programs with partner universities; 2) sending faculty to partner universities as visiting scholars. Continue reading “Joining the Momentum of Writing Center Establishment in China (Part 2 of 5, Writing Centers in China)”→
“More and more conversations I have (and observe other artists having) with engineers and producers is quite similar to conversations between student writers and writing center staffers. Furthermore, every time I go to a conference, I meet someone else who does music (as an at-home hobby, as a weekend player, in a vocal ensemble or choir, or in other kinds of music)…”
With the support of the SWCA Conference, chaired by Stacia Watkins, who helped closely with the project, he put out a call last fall to the writing center community–not to write a paper, or panel another presentation, but to contribute music.
The result was Write It Like Disaster, described as “a compilation of music made by writing center staffers, professionals, and allies.”